The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
From its secret removal to its celebrated resurrection, Bonaventure Soh Bejeng Ndikung explores the lives and afterlives of the Kassel statue controversy
In further news: documenta artists protest ‘profit-above-everything’ motive; Monir Museum opens in Tehran; Beijing artist on the run over eviction footage