Erika Balsom

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

By Erika Balsom

The boom in cinema magazines dedicated to print

By Erika Balsom

Short films at the 48th International Film Festival Rotterdam give primacy to music and voice

By Erika Balsom

‘This is, perhaps, the best ending of any film, ever’

By Erika Balsom

The radical filmmaker, teacher and writer talks essentialism in identity politics and why her films are neither documentary nor fiction

 

By Erika Balsom

This year’s exhibition recruits the powers of documentary to reflect on what draws us together and holds us apart

By Erika Balsom

A genre more associated with painting, an interest in the environment grounds a number of recent artists’ films 

By Erika Balsom