EU Reviews

At The Breeder Gallery, Athens, the Nigerian artist tethers the superficial conventions of European portrait painting to the semiotics of Blackness

For the inaugural exhibition at Hauser & Wirth’s island outpost, the artist has created a new series of paintings and sculptures that span from the European discovery of the New World to racialized urban zoning 

At Villa Carmignac, Pourquerolles, the pioneering underwater photographer Jean Painlevé acts as a guiding spirit for a group exhibition that depicts the beguiling strangeness of aquatic life

At Casa Masaccio, San Giovanni, the artist's solo show, 'While We Were Sleeping' leans on religious allegories to depict the nihilist nature of modern anxieties

Stemming from a new investigation into the fatalities of the Irish revolution in County Cork, 'For Those That Tell No Tales' at Crawford Art Gallery reminds us why memory is important

At Harlan Levey Projects, the artist draws on his own experience as a working-class football fan during Poland’s 1990s passage from communism to capitalism

At Kunsthalle Basel, the artist seeks a connection between the tools of the Detroit assembly lines and a pan-African heritage 

For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people

At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices

At Botkyrka Konsthall, the Afro-Swedish artist presents new works that combine ethnobotanical research and (self-)care to make innovative use of the Black historical archive

At LAYR, Vienna, the Bahamian artist’s hazy horse paintings focus on interspecies relationships within a personal and historical context

‘How Will We Live Together’ – curated by Hashim Sarkis – dreams of a brighter future but fails adequately to respond to the present

At Sweetwater, Berlin, the artist plays on passé 1980's glamour, sculpturally employing transparent and mirrored surfaces to attract and deflect the gaze

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

At Konrad Fischer Galerie, Berlin, the artist harnesses her voice to explore how sound can sculpt our perceptions of space

At Mountains, Berlin, the Honduras-born-Florence-based artist explores the complex relationship between the origin and translations of indigenous knowledge

An exhibition at Kunstverein, Amsterdam, highlights the artist’s pioneering work with progressive writers of the 1970s and '80s, including Kathy Acker, Constance DeJong and Pati Hill

At her first institutional solo exhibition in Sweden at Moderna Museet, the artist’s sculptures reference Marcel Duchamp and evocations of pleasure and knowledge

At Centre d’Art La Panera, Lleida, the artist reflects on our changing relationship to the land through sculptures that disintegrate over time

At CRAC Alsace, the artist’s site-specific video installation envisages the collapse of the EU, exploring murky tax systems and the processes of alienation