EU Reviews

Showing results 241-260 of 298

Based on visits to this unique archaeological site, the artist's new series of ceramic sculptures mine the past to remind us of the fragility of the present

BY Ana Vukadin |

In her forth exhibition at dépendance, Brussels, the artist's slick images of oil fields reflect our petroleum-fulled dreams and desires

BY Emile Rubino |

At the Neue Nationalgalerie, Berlin, the artist's new show ‘In a Perpetual Now’ at the iconic Ludwig Mies van der Rohe-designed building articulates the kaleidoscopic possibilities of looking

BY Isabel Parkes |

On view at Kunstverein Gartenhaus, Vienna, the artist’s emotive, fragmentary films shift the locus of desire with feminist determination

BY Francesca Gavin |

At Galleria Franco Noero, Turin, the artist's current series is exposed to the elements and requires avian participation

BY Saim Demircan |

At Thaddaeus Ropac, Paris, the Austrian artist mines epochs of ancient history to bring painting back to a time before consciousness

BY Aaron Peck |

At Zollamt MMK, Frankfurt, the artist's barren landscapes reveal the ugly legacy of Apartheid

BY Eric Otieno Sumba |

At Louisiana Museum of Modern Art, Humlebæk, the artist’s first major retrospective traces the complex entanglements of colonial and personal histories

At The Breeder Gallery, Athens, the Nigerian artist tethers the superficial conventions of European portrait painting to the semiotics of Blackness

BY Shiv Kotecha |

For the inaugural exhibition at Hauser & Wirths island outpost, the artist has created a new series of paintings and sculptures that span from the European discovery of the New World to racialized urban zoning 

BY Max Andrews |

At Villa Carmignac, Pourquerolles, the pioneering underwater photographer Jean Painlevé acts as a guiding spirit for a group exhibition that depicts the beguiling strangeness of aquatic life

BY Amy Sherlock |

At Casa Masaccio, San Giovanni, the artist's solo show, 'While We Were Sleeping' leans on religious allegories to depict the nihilist nature of modern anxieties

BY Olamiju Fajemisin |

Stemming from a new investigation into the fatalities of the Irish revolution in County Cork, 'For Those That Tell No Tales' at Crawford Art Gallery reminds us why memory is important

BY Nigel Swann |

At Harlan Levey Projects, the artist draws on his own experience as a working-class football fan during Poland’s 1990s passage from communism to capitalism

BY Wilson Tarbox |

At Kunsthalle Basel, the artist seeks a connection between the tools of the Detroit assembly lines and a pan-African heritage 

BY Mark Godfrey |

For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people

BY Oriane Durand |

At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices

BY Eric Otieno Sumba |

At Botkyrka Konsthall, the Afro-Swedish artist presents new works that combine ethnobotanical research and (self-)care to make innovative use of the Black historical archive

BY Matthew Rana |

At LAYR, Vienna, the Bahamian artist’s hazy horse paintings focus on interspecies relationships within a personal and historical context

BY Francesca Gavin |

‘How Will We Live Together’ – curated by Hashim Sarkis – dreams of a brighter future but fails adequately to respond to the present

BY Barbara Casavecchia |