Evan Moffitt

The art world is not the world, but what the world needs, artists need, too

At the Morgan Library and Museum, New York, the artist’s photographs of words and light receive their due

Founded in 2009, the app sparked a revolution in sex, dating and the social dynamics of the LGBTQ community

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

The artist’s physically gruelling performances reflect on the black body and the possibilities of resurrection

As galleries return from summer break with a full slate of programming, here are the best shows in town

At the Art Institute, an indigenous construction loophole uncovers ugly truths about the city’s racist and classist past 

The two artists and long-time collaborators speak to Evan Moffitt about the influence of Fluxus, the importance of improvisation and the challenge of reckoning with art history 

On the 50th anniversary of the Stonewall Riots, the shows to see around the city that contend with LGBT culture and political history

Our annual international award to discover and promote new art critics is now open for entries 

The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi

On the 50th anniversary of Stonewall, we should take up the call of the women who fought on the front lines of the LGBTQ rights revolution

At Lawrie Shabibi, Dubai, the UAE-born artist pays homage to his local terrains

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

The strongest exhibitions in the 58th Venice Biennale find creative freedom in failure 

Two exhibitions, at MoMA and David Zwirner, reveal how the impresario and his milieu defied the rationalism of 20th-century art

In the artist’s first US survey at the Aldrich Contemporary Art Museum, abstract paintings and sculptures evoke women’s bodies in pleasure and pain

A survey at the Museum of Fine Arts, Houston, revisits the artistic movement and sheds new light on its demand for political change 

‘Appointed by Barack Obama in 2009, Sotomayor is the fourth woman and the first Latina to serve on the nation’s highest court’

In a survey at Contemporary Arts Center, New Orleans, photographs by Keith Calhoun and Chandra McCormick capture life within the US prison industrial complex