Evan Moffitt

E.S.P. TV’s Corporate Theatre

kurimanzutto, Mexico City, Mexico

Documentary - 16 Feb 2017

Why did artist Eric Wesley take over a disused Taco Bell in Middle America?

Charles Hossein Zenderoudi, K+L+32+H+4. Mon père et moi (My Father and I), 1962, felt-tip pen and coloured ink on paper on board, 2.3 x 1.5 m. Courtesy: The Museum of Modern Art, New York / Philip Johnson Fund 

As Trump casts his shadow over the city, the art world has found ways to respond

Eric Wesley's latest project, burritos and the search for Middle America

Company Gallery, New York, USA

François Ghebaly Gallery, Los Angeles, USA

How the history of the Colombian capital will impact the future of the region for artists

Various venues, Montréal, Canada

A new anthology of writing by Lynne Tillman shows us what narrative fiction, and criticism, can be

Barry Jenkins's new film about growing up black and gay is raw, sincere and game-changing

Central Mexico is leading the country’s rapidly developing and internationally engaged art scene