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Evan Moffitt

In a survey at Contemporary Arts Center, New Orleans, photographs by Keith Calhoun and Chandra McCormick capture life within the US prison industri

By Evan Moffitt

With the Menil Drawing Institute opening on the eve of the US midterm elections, what Houston says about the future of the country

By Evan Moffitt

At LABOR, Mexico City, the artist has dug a four-metre manhole to raise questions about the future of his hometown

By Evan Moffitt

The second oldest exhibition in the world, held at Pittsburgh’s Carnegie Museum of Art, makes the case for ‘museum joy’

By Evan Moffitt

Handing authorship of the biennial to a diverse group of artists is a democratic gesture but conveniently deflects and disperses blame

By Evan Moffitt
David Wojnarowicz poster image for the Rosa von Praunheim film Silence=Death, 1989, photographed by Andreas Sterzing. Courtesy © Andreas Sterzing

‘This retrospective portrays an inveterate outsider, a champion of the different and disempowered, as a fixture of a canon he reviled’

By Evan Moffitt
Valeska Soares,  Finale, 2013, antique table, glasses,  pitchers, decanters, alcohol and mirror,  79 × 335 × 92 cm. Courtesy: the artist, Cisneros Fontanals Art Foundation, Miami, Alexander Gray Associates, New York and Fortes D’Aloia & Gabriel, São Paull

The artist discusses the objects, ideas and artworks that have shaped her practice

By Evan Moffitt and Valeska Soares
Illustration by Lauren Rolwing

Even as right-wing politics increasingly tries to enforce them, remembering that nature and art know no borders

By Evan Moffitt

At the crux of this ambitious show lies the question: who is this triennial really for?

By Evan Moffitt

At Lehmann Maupin, New York, the artist's immersive installation and paintings from the 1970s commemorate forgotten indigenous histories

By Evan Moffitt

With work in the Liverpool Biennial and ICA Philadelphia, the Seoul-based artist reanimates an ancient Korean musical system

By Evan Moffitt

The central thrust of the exhibition positions Sicily as the fulcrum of geopolitical conflicts over migration, trade, security and surveillance

By Evan Moffitt