Evan Moffitt

As galleries return from summer break with a full slate of programming, here are the best shows in town

By Evan Moffitt

At the Art Institute, an indigenous construction loophole uncovers ugly truths about the city’s racist and classist past 

By Evan Moffitt

The two artists and long-time collaborators speak to Evan Moffitt about the influence of Fluxus, the importance of improvisation and the challenge of reckoning with art history 

By Evan Moffitt, John Armleder and Christian Marclay

On the 50th anniversary of the Stonewall Riots, the shows to see around the city that contend with LGBT culture and political history

By Evan Moffitt

Our annual international award to discover and promote new art critics is now open for entries 

By frieze

The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi

By frieze

On the 50th anniversary of Stonewall, we should take up the call of the women who fought on the front lines of the LGBTQ rights revolution

By Evan Moffitt

At Lawrie Shabibi, Dubai, the UAE-born artist pays homage to his local terrains

By Evan Moffitt

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

By Evan Moffitt

The strongest exhibitions in the 58th Venice Biennale find creative freedom in failure 

By Evan Moffitt

Two exhibitions, at MoMA and David Zwirner, reveal how the impresario and his milieu defied the rationalism of 20th-century art

By Evan Moffitt
Harmony Hammond, Bandaged Grid #1, 2015, oil and mixed media on canvas. Courtesy: Alexander Gray Associates, New York © 2018 Harmony Hammond / Licensed by VAGA at Artists Rights Society (ARS); photograph: Jeffrey Sturges

In the artist’s first US survey at the Aldrich Contemporary Art Museum, abstract paintings and sculptures evoke women’s bodies in pleasure and pain

By Evan Moffitt