Evan Moffitt

Various venues, New Orleans, USA

Robin Campillo’s portrait of ACT UP Paris puts militancy before mourning

How Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using the tradition of black radical poetry to examine questio

Clarissa Tossin, Maya Blue, 2017, performance documentation. Courtesy: the artist

Los Angeles Municipal Art Gallery, Los Angeles, USA

Tom Burr, Brutalist Bathroom, 2017, installation view at Bortolami, New Haven. Powder coated steel guard rails, bathroom doors from Marcel Breuer's Armstrong Rubber Co building, direct-to-substrate print on aluminum, 207 x 633 x 305 cm. Courtesy: the artist and Bortolami, New York; photograph: © Jessica Smolinski

The Pirelli Building, New Haven, USA

‘Vertical City’, installation view, Sidney R. Yates Hall. Courtesy: Chicago Architecture Biennial, Kendall McCaugherty © Hall Merrick Photographers

A report from the Chicago Architecture Biennial, whose interesting provocation sadly remains unanswered

Paulo Bruscky, Conexão (Connection), 2013, suitcase and collage, 34 × 54 × 18 cm. Courtesy: the artist and Galeria Nara Roesler, New York/Rio de Janeiro/São Paulo

On the eve of his solo exhibition at Centre Pompidou, Paulo Bruscky talks about mail art, fluxus and outwitting the Brazilian military dictatorship

Various venues, New York, USA

Fact checking Trump and New York gallery roster demographics: what to read this weekend

First impressions of Christine Macel’s ‘Viva Arte Viva’ in the Central Pavilion

Art in the age of climate change

E.S.P. TV’s Corporate Theatre