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Tanning gives full expression to her childhood imagination and its innately eclectic catalogue of fears, fantasies and domestic psychodramas

By Claire-Louise Bennett

Materialism, metaphysics and mysticism collide in the Shanghai-based artist’s maximalist installations

By Gary Zhexi Zhang

Three decades after German reunification, the artist articulates the inhumanity of right-wing terror, and how ideology lies within domestic interio

By Kito Nedo

With dead ends and doors to nowhere, the recent works of the Scottish artist articulate contemporary forms of nihilism

By Chris Fite-Wassilak
Cameron Rowland, Jim Crow, 2017, Jim Crow rail bender, 91.4 x 20 x 44 cm. Rental

The spectral presence of prisoners in everyday commodities 

By Jackie Wang

The fallacies of ‘community building’, online and IRL, in the work of Cécile B. Evans

By Cal Revely-Calder

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

By Tavia Nyong’o

The work of John Hanson, Rob Nilsson and Fred Lonidier establishes a dialectic between a leftist melancholy and a more forward-looking politics

By Andrew Durbin

‘The images Miller created don’t exist solely in the past: her legacy moves through time, like a river’

By Viviane Sassen

Featuring Judy Chicago and Miriam Schapiro, ‘Womanhouse’ marks the 30th anniversary of the museum dedicated to women artists

 

By Jennifer Kabat

Susanne von Falkenhausen on this summer’s 10th Berlin Biennale, Manifesta 12 and the future of biennials

By Susanne von Falkenhausen
Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

By Claudia Calirman