Feature

Architecture, idealism and anachronism in the work of Cui Jie

How do representations of sleep reflect contemporary culture?

Why can’t New York get over its ‘bad old days’?

How Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using the tradition of black radical poetry to examine questio

Angelica Mesiti’s films explore the myriad ways humans communicate

On the prolific and varied career of artist, designer, collector and archivist Elaine Lustig Cohen 

Johan Grimonprez, Shadow World, 2016, film still. Courtesy: the artist, Sean Kelly Gallery, New York, Galerie Kamel Mennour, Paris, Flatland Gallery, Amsterdam, Ronald Reagan Presidential Library, Simi Valley, Louverture Films, Dillywood and Shadow World inc., New York

Johan Grimonprez’s recent films explore the mechanisms of the arms trade

Old Food, 2017, production still. Courtesy: the artist, Galerie Isabella Bortolozzi, Berlin, Cabinet Gallery, London, Gavin Brown’s Enterprise, New York and Rome, and dépendance, Brussels

Helen Marten responds to Ed Atkins’s new work, Old Food, currently showing at Martin-Gropius-Bau, Berlin

Critical Art Ensemble, Radiation Burn: A Temporary Monument to Public Safety, 2010, performance documentation. Courtesy: the artists

Blast Theory, Forced Entertainment and Slavs and Tatars: collectives fusing theatre, art, performance and politics to create interactive experience

Studio Formafantasma, Ore Streams, 2017, video still. Courtesy: the designers and National Gallery of Victoria, Melbourne

Alice Rawsthorn on the Italian design duo’s response to ecological and political concerns

James Ensor, Masks Mocking Death, 1888. Oil on canvas, 81 x 100 cm. Courtesy: Scala Archives, Florence

On the recurring appearance of the mask in art

Carrie Walter Stettheimer, Stettheimer Doll House (front view) c.1916–35. Wood, bronze, marble, alabaster, gilding, cardboard, paper, foil, linen, ceramic, oil, ink, watercolour, gouache, graphite, Conté, pastel, coloured pencil and other materials, 79 × 132 × 94 cm. Courtesy: Museum of the City of New York

From medieval Wunderkammern to portable museums, Duchamp’s suitcases, and dolls’ houses, the miniature is an enduring and radical art form