Feminism

‘By changing oppressive patterns on many levels, the movement has much to say about feminism in the present moment’

‘I’m a feminist, and I have long advocated for gender equality’: Kaywin Feldman will succeed Earl A. Powell III in March 2019

Workshopping a new book project at Porto/Post/Doc, the theorist and filmmaker who diagnosed how Hollywood reinforced patriarchal codes

‘Others my age with lesser work who were men were being celebrated and collected’

The current appetite for historical, underrecognized female artists is welcome but urgent work still needs to be done

The Metropolitan Museum of Art’s exhibition of iconic rock instruments has been criticized for only including one woman

What many call a national movement is far from it: the price for people to tell their stories remains too high

‘I learned to be unapologetically confident and decisive, which has proved vital not just in the arts, but everywhere’

‘The biggest hurdle we had to overcome was psychological: the belief that there never had been, and never could be, great women artists’

‘I have invested a lot of energy promoting women artists’

‘Mentorship? I don’t think I even knew what the word meant!’

Featuring Judy Chicago and Miriam Schapiro, ‘Womanhouse’ marks the 30th anniversary of the museum dedicated to women artists

Since 1991 the feminist collective has played a key role in nurturing a space for queer activism and sexual and identity politics on film

‘No one is born a feminist but, if nothing else makes us so beforehand, our working environments will’

A recent exhibition in Paris rightly affirms the artist as a central figure in arguably the first gender-equal Western art movement

20 Museum directors from major institutions around the world nominate a favourite work by a woman artist in their collection

The myriad achievements of women artists, writers, curators, patrons and art historians

Max Mara-winner Helen Cammock joins France-Lise McGurn, Renee So and Zadie Xa in producing charitable limited editions 

How the radical practices of female artists drove the Modernist movement in Brazil

‘I felt that I had to pretend my son didn’t exist; in order to be professional, it felt necessary to mimic the behaviour of men’