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Film

‘Black people don’t fear the dead, it’s the living we worry about’

By Nadia Latif
 Craig Baldwin, Tribulation 99, 1991. Courtesy: Canyon Cinema, San Francisco

A recent celebration of the American filmmaker provided a rare opportunity to come face-to-face with a major figure of underground cinema

By Dan Fox

The prolific artist championed filmmaking through the lens of feminist theory and queer politics

By Frieze News Desk

‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart

By Emma McCormick-Goodhart
Carolee Schneemann, 1995. Courtesy: Getty; photograph: Jack Mitchell 

The pioneering US artist was best known for using painting, film, performance and installation to challenge ideas around sexuality and gender

By Frieze News Desk

From a travelogue drenched in the memory of colonialism to a bleak charting of European history in black and white, the festival presents urgent wo

By Chris Sharratt

The highest-grossing film of 2019 pits a Chinese-led international coalition against the forces of cosmic destruction

By Gary Zhexi Zhang

The film adaptation of James Baldwin’s 1974 novel imbricates joyful moments within a fraught political and racialized landscape

By Kareem Reid

Screened at Frieze Los Angeles, ‘Take Over (L’Internationale)’ trades in the anthem’s political charge for an elegant rehearsal

By Jennifer Piejko
Visitor at Frieze Los Angeles 2019. Photo: Mark Blower. Courtesy: Frieze/Mark Blower

Hear from expert insiders in the city’s cultural landscape, from art to entertainment

In a series of Frieze Film screenings at Frieze Los Angeles, dark impulse triumphs in Madani’s animations

By Jennifer Piejko

A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing

By Dan Hancox