Film

Showing results 281-300 of 466

Following the release of a collection of lesser known works, Juliet Jacques looks at the films of Austrian artist Gustav Deutsch

BY Juliet Jacques |

The long-awaited biopic of cult writer Jeremiah 'Terminator' LeRoy

BY Hettie Judah |

Part three of Bert Rebhandl’s film picks: food for thought in Naomi Kawase’s latest

BY Bert Rebhandl |

Thomas Vinterberg’s return to form: part two of the best new film releases selected by Bert Rebhandl

BY Bert Rebhandl |

Bert Rebhandl selects three of the best new film releases: part 1, a Greek maritime comedy

BY Bert Rebhandl |

On Maren Ade’s Toni Erdmann, the critics’ favourite at this year's Cannes Film Festival

BY Esther Buss |

Clemens von Wedemeyer's films and installations and their battles with points of view 

BY Bert Rebhandl |

The dystopian vision of Hong Kong that took the award for best picture at this year's Hong Kong Film Awards

BY Cristina Sanchez-Kozyreva |

A new book, retrospective and exhibition on the films of Straub-Huillet

BY Nick Pinkerton |

The Iraq War, an opera singer and River Phoenix in Running on Empty: the Paris-based filmmaker shares his selection of significant images

BY Benjamin Crotty |

It’s high time the film industry started taking women seriously

BY Jennifer Higgie |

A round-up of websites celebrating women in the film industry

BY Jennifer Higgie |

Innocence and emancipation in Deniz Gamze Ergüven's latest film

BY Bert Rebhandl |

A new film from Tom Tykwer sees Tom Hanks stranded in the Saudi-Arabian desert

BY Bert Rebhandl |

A new film from Richard Linklater

BY Bert Rebhandl |

Art, war and the Louvre in Alexander Sokurov’s Francofonia

BY Evan Moffitt |

From the fall of Cecil Rhodes to the return of Pee-wee Herman: what we’ve been reading this week

BY Paul Clinton |

The psycho-geography of Aleppo as seen in Avo Kaprealian's film, Houses Without Doors

BY ​Timothy P. A. Cooper |

From a history of sabotage to the yogi rock of Bhagavan Das: the best things we've read this week

BY Dan Fox |

The rise of online exhibition spaces and the documenting of social unrest

BY Ben Eastham |