Film

Showing results 81-100 of 466

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

BY Hettie Judah |

The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda

BY Ian Bourland |

Marwa Arsanios’s latest documentary offers a powerful glimpse at the autonomous movement now being torn apart

BY David Markus |

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

BY Tom Morton |

At New York’s Lincoln Center, the artist’s films speak to the enduring violence caused by forced exile

BY Shiv Kotecha |

The British filmmaker discusses ‘The Souvenir’, her latest acclaimed picture, at Frieze

A report from this year’s MeetDocs Eastern Ukrainian Film Festival in Kharkiv

BY Maxim Edwards |

A new wave of stand-up specials, sketch shows and comedy-dramas are dismantling Hollywood’s white monolith, one gag at a time

BY Candice Frederick |

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

BY Hilton Als |

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

BY Sean O’Toole |

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

BY Erika Balsom |

The London-based filmmaker will work on site in close ‘proximity to the gallery’s collection, research and teams’

BY Frieze News Desk |

In the artist’s largest survey to date, science fiction and narratives of black resistance offer a vision of a more inclusive future

BY Esmé Hogeveen |

From The Wicker Man to Ari Aster’s latest film, joyful sounds can reveal the darkest worlds

BY Adam Harper |

The most complex question the director asks is why not just beat up the bad guys

BY Giampaolo Bianconi |

Screening at galleries around the world, the singer’s work repurposes the pop music video into an artwork of museum quality

BY Kadish Morris |

Based on the 2014 Badaun gang-rape allegations, ‘Article 15’ fails to disrupt its ‘Brahmin saviour’ narrative

BY Skye Arundhati Thomas |

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

BY Steven Zultanski |

From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes

BY Amber Butchart |

New award offers support and platform to 10 artists, whose works will be screened at Frieze Los Angeles 2020

In Collaboration with Deutsche Bank