Film

Showing results 81-100 of 470

In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation

BY Gerry Canavan |

From Gen-Z Yellow to Neomint, the confluence of money and the attention economy filled the 2010s with clashes of unexpected hues

BY Kassia St Clair |

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

BY Evan Moffitt |

Matt Wolf’s new film, ‘Recorder: The Marion Stokes Project’, is an astonishing portrait of an almost incomprehensible endeavour

BY Dan Fox |

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

BY Hettie Judah |

The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda

BY Ian Bourland |

Marwa Arsanios’s latest documentary offers a powerful glimpse at the autonomous movement now being torn apart

BY David Markus |

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

BY Tom Morton |

At New York’s Lincoln Center, the artist’s films speak to the enduring violence caused by forced exile

BY Shiv Kotecha |

The British filmmaker discusses ‘The Souvenir’, her latest acclaimed picture, at Frieze

A report from this year’s MeetDocs Eastern Ukrainian Film Festival in Kharkiv

BY Maxim Edwards |

A new wave of stand-up specials, sketch shows and comedy-dramas are dismantling Hollywood’s white monolith, one gag at a time

BY Candice Frederick |

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

BY Hilton Als |

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

BY Sean O’Toole |

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

BY Erika Balsom |

The London-based filmmaker will work on site in close ‘proximity to the gallery’s collection, research and teams’

BY Frieze News Desk |

In the artist’s largest survey to date, science fiction and narratives of black resistance offer a vision of a more inclusive future

BY Esmé Hogeveen |

From The Wicker Man to Ari Aster’s latest film, joyful sounds can reveal the darkest worlds

BY Adam Harper |

The most complex question the director asks is why not just beat up the bad guys

BY Giampaolo Bianconi |

Screening at galleries around the world, the singer’s work repurposes the pop music video into an artwork of museum quality

BY Kadish Morris |