Film

Showing results 61-80 of 470

Coel's show ‘I May Destroy You’ daringly takes on the intricacies of sexual violence

BY Skye Arundhati Thomas |

‘First Cow’, the director’s seventh feature film, which began streaming 10 July, offers a humanistic alternative to the grand myths of Manifest Destiny

BY Tausif Noor |

Mark Cousins’s ‘Women Make Film’ celebrates 130 years of cinema by 183 female directors 

BY Jennifer Higgie |

In the director’s sweeping new Vietnam War film, it is never clear ‘who is the colonizer and who is the colonized’ 

BY Ian Bourland |

The weightlessness of the iconic film helps alleviate the oppressive pull of reality

BY Chloe Aridjis |

From his parodies of celebrity culture to his depiction of gender identities, there is still a lot to unpack on the centenary of the film director’s birth

BY Jamie Mackay |

Can Reiner Holzemer’s documentary finally lift the lid on the famously private designer? 

BY Hettie Judah |

Steven Zultanski on the Chicago-based cult video artist

BY Steven Zultanski |

The artist’s exhibition at Centre d’art contemporain Passerelle, Brest, blends gender, race and class politics with science fiction

BY Wilson Tarbox |

The Comedy Central series injects a dose of mania and sloth into the ‘multicultural sitcom’

BY Ken Chen |

The most urgent works at this year’s 70th Berlinale Film Festival are about coming to terms with culture’s inherited mythologies

BY Anthony Hawley |

Figures from art and film came together for the first Deutsche Bank Frieze Los Angeles Film Award

In Collaboration with Deutsche Bank

In the beloved Japanese anime films, childhood is a fantastic place of nightmare and wonder

BY Darran Anderson |

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

BY Cassie Packard |

Meet the ten emerging filmmakers shortlisted for the first Deutsche Bank Frieze Los Angeles Film Award

In Collaboration with Deutsche Bank

‘A living, breathing work of art’: Prospect Cottage in Dungeness is as much a part of Jarman’s legacy as his films, writing and paintings

BY Chris Sharratt |

A crop of Hollywood ‘grifter’ films reflect growing pessimism about the state of capitalism 

BY Lewis Gordon |

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

BY Ren Ebel |

In the 2010s, cinema grappled with the most tangible effects of the climate crisis 

BY Lewis Gordon |

From The Walking Dead to Stranger Things, frightening revivals ‘captured a bit of lost magic in a disenchanted world’ 

BY Ian Bourland |