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Hettie Judah

Our guide to the shows not to miss, from Tania Bruguera’s Turbine Hall commission to Amy Sillman’s canvases at Camden Arts Centre

 

By Hettie Judah

Opening with a show about humour in art, there is a refreshing domesticity to SLG’s expansion

By Hettie Judah

If the new V&A is Dundee’s public face to the world, it underscores the motto of the city’s famous resident: ‘think global act local’

By Hettie Judah

After 34 years as Head of Hayward Gallery Touring, the ‘organizer’ looks back on a career spent championing art exhibitions outside of London

By Hettie Judah

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

By Hettie Judah

At Herald St, London, the artist presents paintings filled with smooth ovoid forms and the suggestion of a single, otherworldly light source

By Hettie Judah

Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme

By Hettie Judah

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

By Hettie Judah

Sir Simon Rattle and the LSO bring Stockhausen’s Gruppen für drei Orchester to the Tate’s cavernous space, 50 years after its London debut

By Hettie Judah

With a new performance work for Manifesta 12 in Palermo, the Amsterdam-based artist explores a state of continuous partial attention

By Hettie Judah

In our era of easy outrage, the first statue of a woman in Parliament Square is a timely celebration of unwavering belief

By Hettie Judah

The artist's ominous paintings suggest imminent threat and moral decline at Mead Gallery, Warwick Arts Centre, Coventry

By Hettie Judah