Hettie Judah

Showing results 21-40 of 54

‘It showed the power of placing something dumb and ugly next to something glorious’

BY Hettie Judah |

Works by Andra Ursuta at Fondazione Sandretto Re Rebaudengo, Turin, jams together diverse references from health cults to 1980s pop culture memes

BY Hettie Judah |

At Studio Voltaire, London, the artists have transformed the former chapel into a wild Wilde Gesamtkunstwerk

BY Hettie Judah |

Two London exhibitions by belit sağ address police and military violence committed against Kurdish people in Turkey

BY Hettie Judah |

An exhibition at MoMu, Antwerp, spotlights the largely female ‘Textielgroep’ from the 1970s hanging their work alongside contemporary practitioners

BY Hettie Judah |

An exhibition at M HKA, Antwerp, explores the artist as brand and as charismatic cult leader

BY Hettie Judah |

At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines

BY Hettie Judah |

The second edition – Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans – pits old guard against young guns

BY Hettie Judah |

Beyond the ‘forcefield of righteousness’ that occludes some political work, ‘Artes Mundi 8’ manages a complicated and rewarding show

BY Hettie Judah |

On view at Skarstedt’s London gallery, US artist Sue Williams’s latest body of work reflects a battle against ‘hating everything’ 

BY Hettie Judah |

Ahead of ‘Anni Albers’, which opens at Tate Modern next week, Hettie Judah visits the legendary German educational institution

BY Hettie Judah |

The forthcoming exhibition ‘Modern Couples’ frames the shared lives of modernism’s artistic pairings – from Claudel and Rodin, to Maar and Picasso

BY Hettie Judah |

Our guide to the shows not to miss, from Tania Bruguera’s Turbine Hall commission to Amy Sillman’s canvases at Camden Arts Centre

 

BY Hettie Judah |

Opening with a show about humour in art, there is a refreshing domesticity to SLG’s expansion

BY Hettie Judah |

If the new V&A is Dundee’s public face to the world, it underscores the motto of the city’s famous resident: ‘think global act local’

BY Hettie Judah |

After 34 years as Head of Hayward Gallery Touring, the ‘organizer’ looks back on a career spent championing art exhibitions outside of London

BY Hettie Judah |

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

BY Hettie Judah |

At Herald St, London, the artist presents paintings filled with smooth ovoid forms and the suggestion of a single, otherworldly light source

BY Hettie Judah |

Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme

BY Hettie Judah |

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

BY Hettie Judah |