Hito Steyerl

Sponsored Content - 13 Nov 2019

An insight into the 2019-20 Serpentine Digital Commissions

Artists, curators and gallerists may not be able to stop war, but we can tell those who rake its profits that the arts are not open for their business

By Sarah Jilani

A survey of Germany’s unification events, from David Hasselhoff to Hito Steyerl

By Sarah James

With Art Toronto opening on 25 October, don’t miss out on all that the city has to offer

By Jill Glessing
Hito Steyerl, Hell Yeah We Fuck Die, 2016, video still. Courtesy: the artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin

Toronto

24 Oct
23 Feb

The simplicity of the Japanese architect’s slate ‘wing’ belies its complex construction

By Amy Sherlock

From Marina Abramović to extinct tropical birds, seeing more than what’s there

By Matthew McLean

The artist addressed the ‘elephant in the room’ – that London’s Serpentine gallery bears the Sackler name

By Frieze News Desk
Hito Steyerl, ‘Factory of the Sun’, installation view, 2018, National Gallery Victoria. Courtesy: National Gallery Victoria

Melbourne

28 Sep
24 Mar
Hito Steyerl, ‘Factory of the Sun’, installation view, 2018, National Gallery Victoria. Courtesy: National Gallery Victoria

Melbourne

28 Sep
24 Mar

At an 18th-century neoclassical manor house, this year’s Cinema Camp was inspired by the writings of the late Cuban filmmaker Julio García Espinosa

By Leo Goldsmith

Hito Steyerl’s Duty Free Art and A Field Guide to the Snowden Files

By Tom Overton