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Hito Steyerl

At an 18th-century neoclassical manor house, this year’s Cinema Camp was inspired by the writings of the late Cuban filmmaker Julio García Espinosa

Hito Steyerl’s Duty Free Art and A Field Guide to the Snowden Files

Guggenheim pull pieces from Chinese art show after animal rights protests; Berlin’s Volksbühne occupied; vandalism at Skulptur Projekte Münster

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

A report from the 47th edition of the annual photography festival

A report from the 2016 edition of Rhizome’s Seven on Seven conference

A round-up of the best current shows in the city

Playlist - 09 Jul 2015

Pavrov Stelar's Phantom to ASMR Art Curator Roleplay

Joan Jonas, They Come to Us without a Word, 2015, production still, installed in the US pavilion

56th Venice Biennale, various venues, Italy

Hito Steyerl 'Factory of the Sun' (2015) film still; courtesy: the artist; photograph: Manuel Reinartz

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is

Shelving for Unlocked Matter, and Open Problems, 2013, installation view

Museu Colecção Berardo, Lisbon, Portugal

USAF 1951 Resolving Power Test Target, 1951. Courtesy: Hito Steyerl and Leon Kahane

Q. If you could live with only one piece of art, what would it be? A. Why should I live with an art work?