Interview

From non-art to art and back again: on the eve of a major Jim Shaw and Mike Kelley show, an interview with the director of the MSU Broad

Fifty years after its first outing, the artist reprises his legendary Walking Sculpture performance in the US

Founders of the Book Society in Seoul, Helen Ku and Lim Kyung Yong, talk about the origins of their bookshop and publishing house

Q: What do you like the look of? A: Water, always, in any weather. Calm, stormy, in the morning, at sunset, even at night.

Q: What do you wish you knew? A: ‘Why I find vacuuming the house so oddly gratifying.’

An interview with Barry Miles, the co-founder of ’60s underground newspaper International Times

With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show

Q: What do you like the look of? A: Art that does not look like art

The Berlin dealer discusses plans for his new London space, König Archive & Souvenir

Osei Bonsu talks to curator Germano Celant about the enduring relevance of the Italian art movement, Arte Povera – a term Celant coined 50 years ago

David Goldblatt discusses representation, censorship and his decision to remove his archive from the University of Cape Town

On the eve of his solo exhibition at Centre Pompidou, Paulo Bruscky talks about mail art, fluxus and outwitting the Brazilian military dictatorship

Ahead of the 5th edition of his cult annual event – the first outside of New York – Stewart Uoo talks positivity, performance and parties

The artist discusses her hyper-decorated tapestries, resuscitating dying traditions and retrospective in Castelo Branco, Portugal

'Romantic, muscular, propulsive': Jace Clayton discusses his tribute to the American minimalist, ahead of its London performance this weekend

Nina Höchtl and Julia Wieger discuss researching the Austrian Association of Women Artists and their efforts to disrupt unreliable histories

Q: What images keep you company in the space where you work?

Q: What do you like the look of? A: Someone who knows who they are

The winner of the British Journal of Photography International Photography Award 2017 talks about the ethics of documenting the migration crisis

The New York-based artist on her exploration into lost and found histories, installation as urban tapestry and the paradox of ancestry