The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

By Andrew Durbin
Flavin Judd speaking at Frieze New York 2017

Frieze Fairs - 14 May 2017

Flavin Judd talks about protecting his father’s legacy, and how the Judd’s furniture - presented at Frieze New York - got made

Laboratory testing at Silicon Valley biotech start up Unity Biotechnology. Courtesy: the New Yorker; photograph: Grant Cornett

From eternal music to the secret of eternal life: what to read this weekend

By Paul Clinton
Nancy Grossman, Two Heads (1968). Courtesy: the artist and Michael Rosenfeld Gallery, New York.

From feminism to cosmic order, curator Toby Kamps discusses the prevalent themes of Spotlight

Chung Sang-Hwa, Work 73-1-9, 1973, acrylic on canvas, 1.6 × 1.3 m. Courtesy: Kukje Gallery, Seoul

What is Dansaekhwa and what is its legacy today?

By Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath
Robert Morris Scatter Piece 1968, felt, copper, lead, zinc, brass and aluminium

A mini retrospective at Sprüth Magers, Berlin, shows the artist was never the cut-and-dried Minimalist of legend

By Mark Prince

Monica Bonvicini

By Jörg Heiser