Negar Azimi

A recent show in New York of the filmmaker’s maquettes highlights his insights into contemporary life

Eileen Myles’s new memoir of her dog has much to say about being human

Éric Baudelaire's thoughtful response to the attacks on the French capital

Different approaches to travel writing 

Egyptian surrealism: a case-study in global modernity 

From Werner Herzog to Arthur Jafa: contemporary life, or how to make meaning from fragments

In praise of oral history

Art and the culture of apology

Negar Azimi on Jane Bowles and bell hooks on Beyoncé: what to read this weekend

Portrait of a Noblewoman, 1775–80, damaged, artist unknown

In the first of a new series of columns, Negar Azimi reflects on trash aesthetics

Philippe Parreno, The Writer (2007), installation view, 'Anywhere, Anywhere, Out Of The World', Palais de Tokyo, 2013; courtesy: Esther Schipper, Berlin

Negar Azimi is senior editor of Bidoun.