New York

Ahead of Smith’s show in London, the two artists discuss their histories and the fear and excitement of creating new works

The director’s 1963 film, ‘The Cool World’, is a unique misstep in her lauded career

At Company Gallery, New York, the artist uses subversion and humour to upend the ideological landscape of contemporary sex/work and our moral attitudes towards it

Her pseudo-sacred sculptures at Lisson Gallery create a bricolage of Christo-medieval relics, high fashion and doomsday aesthetics

The 2024 edition faces the challenges of past iterations while overcoming their many pitfalls with an impressive and beautiful showcase

The artist’s new installation at SculptureCenter is a strained metaphor for colonization, gender binaries and time itself

A concise and subtle exhibition of drawings and gouaches at FLAG Art Foundation, New York, offers a melancholic meditation on beauty, glamour and artifice

The artist’s exhibition at Greene Naftali, New York, recasts Icarus within a modern-day exploration of Black emancipation and freedom

At Museum of the Moving Image, New York, a retrospective of the artist reveals an enchantment with technology’s possibilities and a disillusionment with its uses

At Kasmin, New York, the artist’s new body of sculptures and drawings feel frozen between solid and liquid

After a spate of gallery closures in New York, how might contemporary art find a balance in the turbulence of the city?

For her homecoming show at Queens Museum, the artist's absurdist experiments draw attention to the systems that shape behaviour

Across two Chelsea galleries, ‘Prickling Goosebumps & a Humming Horizon’ transcends earlier feminist interpretations of the artist’s work to delve into cosmic ecosystems of vegetal delights

At Canal Projects, New York, the artist’s site-specific multi-media installation argues for the unrelenting humanity of workers

In a live commission and a new video work at CARA, New York, the artist complicates embodied histories of racialization, violence and resistance

From Tetsuya Ishida’s disaffected oil paintings at Gagosian, New York, to Ato Ribeiro’s wooden weavings at Museum of Contemporary Art of Georgia, Atlanta

At Gagosian, New York, paintings that blend surrealism and social realism depict the disaffection of modern workers

At David Zwirner, New York, plants drawn from Eastern Nigeria and Los Angeles coexist with figures and settings sourced from magazines, books and family photographs

How the artist duo challenge the gentrification of New York’s Chinatown

At Sargent’s Daughters, New York, empathetic oil paintings suggest healing through revisitation