One Take

Ahead of Prospect 6, we revisit the artist’s portrayal of Louisiana’s ‘Cancer Alley’ – its flora intertwined with petrochemical infrastructure

An image from the artist’s ‘Painted Trees’ series evokes vivid visions of home for a renowned writer

The artist’s paintings, featured in the upcoming Gwangju Biennale, are strikingly familiar yet elusive, offering a challenge to decode

We revisit the artist’s ‘Great White Fear’ series, featuring phallic shark paintings, to evaluate its enduring message

On the occasion of the artist’s exhibition at Spike Island, his former collaborator dissects the 1992 sculptural installation

To honour the artist's Golden Lion for lifetime achievement at the Venice Biennale, Simon Wu reflect on her long-standing poster series

A look back on the evolution of the artist’s shapeshifting Celestial Universe

On the occasion of the artist’s retrospective at Raven Row, London, Matthew McLean revisits Untitled (Diana)

The photographer’s most recent film candidly documents her personal journey

On the occasion of the artist’s first major retrospective outside of the US, Travis Diehl considers the 1985 painting ‘Untitled (Green Storefront)’

On the occasion of their exhibition at Berlin's n.b.k, Cory Archangel revisits a net art project by the collective

On occasion of the artist’s posthumous retrospective at Ludwig Forum, Aachen, Aldeide Delgado unpacks the symbolism of La sentencia (1993) 

On the occasion of Carolee Schneemann’s survey at the Barbican Art Gallery, Cathy Wade looks back at the artist’s 1973 kinetic painting ‘Up to and Including Her Limits’

On the occasion of the artist’s Nottingham Contemporary exhibition, Stephanie LaCava takes a closer look at her film Life on the CAPS

Elvia Wilk on the artist’s understated and poignant series ‘Children’s Games’ (1999-ongoing)

What lies beneath a grin? Gazelle Mba uses the artist's latest painting to investigate this philosophical question

On the occasion of Liz Larner’s survey at Sculpture Center in New York, Jonathan Griffin looks closely at black iris (2021)

Eric Otieno Sumba on the cultural and historical significance of new collage work by the Norwegian artist

In Bashinda (2020), Rahal constructs an imaginary world very much rooted in India’s current sociopolitcal landscape

In 'Perpetual Brightness', Phan’s ailing animal becomes a metaphor for a culture, and a world, adrift on the verge of ecological disaster.