One Take

On the occasion of Liz Larner’s survey at Sculpture Center in New York, Jonathan Griffin looks closely at black iris (2021)

Eric Otieno Sumba on the cultural and historical significance of new collage work by the Norwegian artist

In Bashinda (2020), Rahal constructs an imaginary world very much rooted in India’s current sociopolitcal landscape

In 'Perpetual Brightness', Phan’s ailing animal becomes a metaphor for a culture, and a world, adrift on the verge of ecological disaster. 

Smith – the subject of a new monograph by Aperture – evokes music and pace through her use of the blur

In Reenacting Scenes from the Vietnam War, Le Upends – and Subverts – Landscape

Each day for the next month, we’ll highlight a different exhibition that’s affected by the Covid-19 crisis

A new series of sculptures is inspired by the Book of Genesis

Things to chew over: In the Absence of Our Mothers makes histories of displacement uncomfortably felt

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

A digital portrait of the landscape that transformed our planet

Jace Clayton discovers hyper-intelligent dogs and violent humans in the artist’s computer-simulated worlds

A new film by Maeve Brennan reflects on lives caught up in the conflict in Lebanon

A new video installation from Richard Mosse investigates the refugee crisis

Kaelen Wilson-Goldie considers a collaborative intervention by Suhu Traboulsi and Walid Raad

In our regular series focusing on a single work by an artist, Phoebe Blatton considers Donna Huddleston's monumental new drawing

On repetition and reiteration in a new film by Jay Chung & Q Takeki Maeda

Elizabeth Price’s new two-screen, HD video installation, K

Herman de Vries’s Dutch pavilion in Venice

Dan Fox explores handcrafted futures and the automated present in Scott Reeder’s new sci-fi film Moon Dust