Green unpleasant land? As the UK braces for election week, it might be time to abandon the myth of Englishness
This year, all the shortlisted artists were named joint winners – what to make of this act of (institutionally approved) subversion?
Wolfson believes art has no relationship to ethics; after a decade of shock, it’s hard to take him seriously
In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation
The 2013 album is a compelling record of our collective fracturing
From Gen-Z Yellow to Neomint, the confluence of money and the attention economy filled the 2010s with clashes of unexpected hues
Have the feminist politics of maximalist pattern and craft now been co-opted by neoliberals?
The Asian-American designers embrace alienation as an integral aspect of identity
Berlin’s Altes Museum and the Kunstvereins in the Rhineland look at the fabrication of male identity and power
To expect the progressive, internationalist art world to participate in a celebration of Brexit is to fire a volley into the culture war
Matt Wolf’s new film, ‘Recorder: The Marion Stokes Project’, is an astonishing portrait of an almost incomprehensible endeavour
Few other labels could claim to have cultivated such a coherent philosophy over the years: one which unites the pleasure of partying with its darker side