Opinion

Showing results 181-200 of 713

The Korean director’s win marks a return to the expected, after years of films with mixed critical and populist support taking the top prize

BY Charles Bramesco |

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

BY Mike Pepi |

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

BY Stanton Taylor |

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

BY En Liang Khong |

By Natasha Ginwala with contributions from Abdul Halik Azeez (@Colombedouin), Muvindu Binoy, Sandev Handy, We Are From Here, Imaad Majeed and Pushpakanthan Pakkiyarajah

BY Natasha Ginwala |

How cyborg identities have empowered women to challenge societal norms

BY Yae-Jin Ha |

‘Past is prologue’ in two shows at the Smithsonian American Art Museum, following the 50th anniversary of the Tet Offensive

BY Ian Bourland |

A new book by Jay David Bolter chronicles the demise of cultural gatekeeping

BY Houman Barekat |

The best of the off-site and collateral exhibitions during the 58th Venice Biennale

BY Pablo Larios |

From demanding choreographies to ‘the sea of our subconscious’, further highlights from the National Pavilions in the Giardini

BY Amy Sherlock |

The first in our series of reports from the 2019 Venice Biennale: the National Pavilions in the Giardini

BY Harry Thorne |

What does Jean-Léon Gérôme’s 1866 painting ‘Slave Market’ say about today’s extremist politics?

BY Cody Delistraty |

Institutional incorrectness aside, the 2019 shortlist is an exciting, politically-charged collection of artists

BY Chris Sharratt |

The first ENTOPIA release showcases the music of Kuro,a film by experimental pop musician Tujiko Noriko and graphic artist Joji Koyama

BY Nathan Geyer |

In its final season, ‘Veep’ satirizes the heartless ambition driving US politics

BY Andrew Durbin |

Ever since the devastating blaze, the cathedral has become a potent symbol, used by everyone from an unpopular president to the far-right 

BY Cody Delistraty |

Beatriz Colomina’s latest book, X-Ray Architecture, argues that the spaces and technologies of the sanatorium gave rise to the modern movement’s iconic forms

BY Thomas McMullan |

From Mx Justin Vivian Bond to Andy Warhol: fan artists in New York

BY Olivia Laing |

How archival collections are being re-animated via new technologies

BY Ellen Mara De Wachter |

After years in the critical wilderness, Pattern and Decoration, the first postmodern art movement, is being reassessed by a number of exhibitions in Europe and the US 

BY Amy Sherlock |