From the ‘Monuments’ exhibition in Los Angeles to the inaugural Bukhara Biennial in Uzbekistan, our editors discuss what they’re most excited for in the year ahead
In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose
By Natasha Ginwala with contributions from Abdul Halik Azeez (@Colombedouin), Muvindu Binoy, Sandev Handy, We Are From Here, Imaad Majeed and Pushpakanthan Pakkiyarajah