Opinion

With ‘David Bowie Is’ at the Brooklyn Museum of Art, Glenn Adamson on the evolution of the music video – a genre Bowie ‘essentially invented’

This new docu-series on a cult established in Oregon in the 1980s is a timely exercise in tolerance and a fascinating insight into extremism

In New York, the artist untangles the intertwined histories of ballet, avant-garde visual art and clandestine gay life in mid-century America

At Museo Tamayo, artists respond to the myth of the French playwright and theorist’s drug-fuelled collapse in the mountains of rural Mexico

‘The art world is becoming more conservative’: for a new series, the Director of Castello di Rivoli speaks about her experience in the arts

When dealing with abuse in the art industry, is it possible to separate the noun ‘work’ from the verb?

Filmmakers RaMell Ross and Khalik Allah elide the reductive narrative wholeness usually demanded of documentaries about black subjects

Events that have pummelled Southern California’s news organizations over the past two years seem to have galvanized its local readership

Three current photography shows in London demonstrate how structures of power influence visual culture

This edition of AV Festival, held in Newcastle and Gateshead, asks: can socialist concerns and agendas be rehabilitated for today’s anxious times?

Sexual harassment is not a morality melodrama – it will persist if workers continue to exert so little control over their working conditions

Two shows in London, by Yto Barrada and Ala Younis, suggest that the unwritten future need not be as unjust or limiting as the erased past

At MACAAL, one of Marrakech’s many new cultural spaces, a rich photo survey rooted in journalistic, historical and anthropological enquiry

At a time of rising xenophobia and precarity, former Queens Museum director Laura Raicovich on why arts institutions must step up

A brief look at arts funding, the future of museums, and the dangers of efficiency

What Nan Goldin’s protesting of the Sacklers’s complicity in the US opioid crisis tells us about self-deification and patronage

Sam Thorne on the abundance of artists creating clouds, or works that cloud our vision 

Jörg Heiser on the Soviet sci-fi classic Planeta Pur, algorithmic bias and the limits of artificial intelligence

In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling

From Ragnar Kjartansson’s Italo-pop-infused The Sky in a Room to Matt Stokes’s happy hardcore recitals: the organ’s profane potential