Opinion

Showing results 81-100 of 707

It’s a refusal to learn anything about a culture that could be obliterated

BY Benjamin Ramm |

In the 2010s, cinema grappled with the most tangible effects of the climate crisis 

BY Lewis Gordon |

From The Walking Dead to Stranger Things, frightening revivals ‘captured a bit of lost magic in a disenchanted world’ 

BY Ian Bourland |

In the era of climate crisis, we all need to rethink how and why we travel

BY Kyle Chayka |

Founded in 2009, the app sparked a revolution in sex, dating and the social dynamics of the LGBTQ community

BY Evan Moffitt |

From Grumpy Cat to Pizza Rat, what the images we shared said about the world around us

BY Orit Gat |

In 2019, the cityscape around the club has shifted dramatically; the Berlin epithet ‘poor but sexy’ a fading memory

BY Liam Cagney |

Why the rise of ‘curatorial collectives’ spells an uncertain future for the profession

BY Mohammad Salemy |

What art speaks to us when we’re overwhelmed by climate change and global instability?

Co-working spaces provide corporate culture for people who don’t have a corporation

BY Will Wiles |

‘Generation Q’ is as implausible as the original series, but complaining about the show’s lack of nuance is missing the point

BY Rosanna McLaughlin |

The 2010s was the decade in which video-game story-telling became self-aware

BY Gareth Damian Martin |

From normcore’s resurrection of the hoodie to gorpcore’s luxe ‘into the woods’ aesthetic

BY Amber Butchart |

Green unpleasant land? As the UK braces for election week, it might be time to abandon the myth of Englishness

BY Adam Harper |

This year, all the shortlisted artists were named joint winners – what to make of this act of (institutionally approved) subversion?

BY Tom Morton |

Wolfson believes art has no relationship to ethics; after a decade of shock, it’s hard to take him seriously

BY Rainer Diana Hamilton |

In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation

BY Gerry Canavan |

The 2013 album is a compelling record of our collective fracturing 

BY Andrew Durbin |

From Gen-Z Yellow to Neomint, the confluence of money and the attention economy filled the 2010s with clashes of unexpected hues

BY Kassia St Clair |