Performance

Showing results 41-60 of 179

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s

BY Andrew Durbin |

Can a trio of exhibitions in New York shed light on this enigmatic figure?

BY Jessica Lynne |

The inventive and evasive choreographer, at work on a new project, grapples with the spectacle of death 

BY Rennie McDougall |

Informed by the legacies of funk and jazz, the artist’s many collaborations are given space to shine

BY Ian Bourland |

The artist’s nine-day performance in the museum’s galleries ties the migration of peoples and objects to the systems that control and classify them 

‘People younger than myself will be under the false impression that performance has always been taken seriously’

BY Pablo Bronstein |

Karen Archey on Ligia Lewis and Alex Baczynski-Jenkins

BY Karen Archey |

Experience live bodycasting and painting, augmented reality sculpture and a Western-style whiskey bar at Frieze London 2019

The artist’s physically gruelling performances reflect on the black body and the possibilities of resurrection

BY Evan Moffitt |

The Singaporean artist’s provocative performances constantly challenged power and prejudice

BY Wenny Teo |

Fabian Schöneich on the artist’s new performance at Kunsthalle Basel

BY Fabian Schöneich |

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

BY Claire-Louise Bennett |

Johnston showed how writing was performance and politics at once

BY Jennifer Kabat |

Drawing on his dancer’s training, Laris Cohen radically presents his body simply ‘as is’ in his performances

BY Martha Joseph |

Barbara Casavecchia on the 2019 Golden Lion-winning artist

BY Barbara Casavecchia |

A new workshop responds to hierarchies in arts education 

BY Jasper Llewellyn |

The two artists and long-time collaborators speak to Evan Moffitt about the influence of Fluxus, the importance of improvisation and the challenge of reckoning with art history 

An exhibition at Platform Southwark, London, celebrates the legacy of the radical drag theatre company

BY Sean Burns |

A new show at Richard Saltoun begs the question – how effective is self-inflicted violence?

BY Izabella Scott |