Performance

Showing results 141-160 of 176

Sculpture, field recordings and the ghosts of dead rappers

BY Andy Battaglia |

Body and soul in the performances of Alexandra Bachzetsis

BY Laura McLean-Ferris |

What are the challenges of producing a dance piece in the form of an exhibition?

David Roberts Art Foundation, London, UK

BY Matthew McLean |

Astrid Kaminski talks to Simone Forti, while artists Gerard & Kelly and Maria Hassabi, along with curator Ana Janevski, discuss her influence

BY Astrid Kaminski |

Movie stars, late capitalism and fragmented attention spans

BY Tom Morton |

The consistently inconsistent career of Scottish artist Bruce McLean

BY Colin Perry |

Actor and theatre director Herbert Fritsch on his love of art – from Jackson Pollock to Dieter Roth – and not using scripts

BY Jan Kedves |

Cally Spooner’s work explores how technology and new media are making performers of us all

BY Alice Butler |

Tension, translation and improvisation

BY Chris Fite-Wassilak |

Dutch artist Germaine Kruip discusses her attempt to capture phenomenological events and affects through installations and performances via modernist abstraction

BY Annie Godfrey Larmon |

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’

BY Emily Cormack |

David Levine, whose work embraces theatre, performance and video, discusses acting and identity

BY Dan Fox |

Animating archives in the ‘queer archaeology’ of Berlin-based duo Pauline Boudry / Renate Lorenz

BY Christy Lange |

The New York-based artist talks about character, the West Coast, process and slime

BY Graham T. Beck |

For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists

More and more artists are re-enacting iconic performances. What does this mean for ‘art of the present tense’ and its relationship to the past?

BY Catherine Wood |

Kateřina Šedá’s projects question the pros and cons of an artistic practice that purports to be for the good of its participants

BY Christy Lange |

Newsrooms, agitprop theatre and the‘living newspaper'

BY Agnieszka Gratza |