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Showing results 161-180 of 192

It’s time that the extraordinary life and work of Anya Berger was acknowledged

BY Tom Overton |

Phillip Sollmann’s latest composition pays homage to three distinct and unconventional instrument makers

BY Grayson Revoir |

Eric Wesley's latest project, burritos and the search for Middle America

BY Evan Moffitt |

A series of installations and a new LP from artist, composer and percussionist Eli Keszler

BY Michael Barron |

The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture

BY Paul Teasdale |

In the studio with Pedro Friedeberg, the last of Mexico’s Surrealists

BY Matt Stromberg |

Forty years of the Los Angeles Free Music Society

BY Robert Barry |

‘Allen can take the listener from a tender meditation on the meaning of home to a stomping history lesson about Spanish conquistadors invading Mexico, and then flip right back’

BY Dan Fox |

On the counter-cultural icon Hubert Fichte, founder of German-language Pop literature

BY Dominikus Müller |

On the new large-scale co-production Medea.Matrix by Susanne Kennedy, who will soon join Chris Dercon's new team at Berlin's Volksbühne

BY Tobi Müller |

Remembering the Danish artist who died in June, aged 37

BY Helga Christoffersen |

Tom Morton on Ragnar Kjartansson and the eternal return

BY Tom Morton |

A new exhibition at Fondation Cartier in Paris is dedicated to the work and ideas of legendary composer Bernie Krause

BY Robert Barry |

The Director of Whitstable Biennale talks about her time in Kent and what can be expected from this year's programme

BY Harry Thorne |

The collector, primarily of digital and time-based art, explains why she is opening a space in Berlin

BY Kito Nedo |

The Director of the Sharjah Art Foundation talks to frieze about her background and the Foundation’s ambitious redevelopment plans

An interview with Antony Hudek on the merger of two highly regarded not-for-profits in Antwerp

BY Harry Thorne |

What is Condo? An interview with its founder Vanessa Carlos

Restored to dazzling 4K resolution by Martin Scorsese’s The Film Foundation, in The Tales of Hoffmann, art and imagination are the foundation of the world

BY Tom Newth |

Filmmaker Guy Sherwin's personal approach to documentary

BY Juliet Jacques |