Review

An exhibition at SFMOMA, named for the 1990 geopolitical term, considers the relationship between art and activism since the fall of the Iron Curtain 

The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

The artist’s survey at LACMA showcases her dynamic engagement with the history of modernism and socio-political conflict 

Anders Dickson’s ‘Songs of Rain and Hobo Chili’ conjures the ephemerality of place

Working with traditional ‘technologies’, artists show how the past might hold answers for the future

The provocative and politically prescient exhibition grapples with hard truths and traumatic histories 

Two shows, at Cologne’s Temporary Gallery and Moscow’s Garage MCA, look to art in the age of environmental collapse

The artist’s feast is plentiful and sumptuous, but leaves us with a hefty bill and a heavy stomach

The artist’s solo exhibition at the Pulitzer Arts Foundation is a serene and spiritual survey of her five-decade practice 

His first major survey since his death in 1994, ‘PROTEST!’ opens with added urgency in today’s political and environmental crises

The artist’s exhibition at Galerie Sultana, Paris, explores compassion as a means of resisting capitalism

The artist’s moving portraits of ‘unallocated’ auto workers in Lordstown, Ohio, on view at the Renaissance Society, celebrate the power of unions as job losses hit US manufacturing

Fragments that appear torn from boats and vessels are everywhere, as though charting a course through history and geography from one world into another

From a couture dress to a Soviet mural, the artist asks what counts as 'good' art

The cultural cost of accelerated growth in the German capital

The last exhibition planned by the artist herself carries on her strategic semiotic slips and disjunctions

Shannon Bool’s show at Kunstverein Braunschweig calls attention to the exoticising and objectifying vision of Le Corbusier

Tanaka’s retrospective at Moderna Museet, Stockholm, reveals humour and radicality in everyday things

 

With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities