Review

Showing results 221-240 of 2142

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

BY Hettie Judah |

Radical feminist Valerie Solanas is the ambivalent guiding force in Chu’s debut book Females

BY Bryony White |

A new exhibition at Tramps reveals 40 years of hidden painting

BY Sean Burns |

Ruby City resembles an edifice of red Texas rock; inside, the museum is airy, white and church-like

BY Chris Wiley |

At Damien & The Love Guru, Brussels, Clark queers the historical record about a past cultural figure

BY Vivian Sky Rehberg |

At the Fondation Louis Vuitton, Paris, a remarkable designer gets her due. Across town, at Musée des arts décoratifs, a show of princely riches complicates her legacy.

BY Amy Sherlock |

At Blindspot Gallery, twin solo exhibitions use the weather to reflect on political oppression

BY Hera Chan |

The Berlin-based artist’s mid-career retrospective at Spain’s Reina Sofía is a free and self-determining triumph

BY Wes Hill |

A new exhibition at London’s Wellcome Collection shows us why we should advocate for and defend the importance of ‘play’ – for our mental health as well as creativity

BY Hettie Judah |

In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly

BY Steven Zultanski |

The post-minimalist based her abstractions on one predicament - ‘I don’t know where I come from and I don’t know where I’m going’

BY KJ Abudu |

At Nova Contemporary, Bangkok, the artist draws on ancient ritual to intervene in current Cambodian politics

BY Max Crosbie-Jones |

At Berlin’s KW Institute, Chicago Imagism, corporeal feminism and bondage scenarios.

BY Chloe Stead |

Sean Burns reviews Birmingham’s live art biennale

BY Sean Burns |

At the Royal Court, four new plays by the UK’s boldest dramatist ask urgent questions about the uses and abuses of language

BY Ellen Mara De Wachter |

Or are they destined to succumb to fantasy, nostalgia and divisive stereotypes?

BY Cleo Roberts |

The artist looks to the life of Marcus Garvey, founder of the Universal Negro Improvement Association, to foster a kind of kinship you can literally hold

BY Rianna Jade Parker |

This year’s edition of the French biennale asks how biological and economic developments inform one another

BY Helena Julian |

Riley’s paintings make a strong case for embodied encounters with art: glorious advocates for the gallery space itself

BY Hettie Judah |

Informed by the legacies of funk and jazz, the artist’s many collaborations are given space to shine

BY Ian Bourland |
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