Review

Yevgeniy Fiks’s photographs, both elegiac and irreverent, challenge an idealized Russian heterosexuality

At C3A, Córdoba, the artist explores the strategies of theatre and its relation to the audience

While some have written that Norman Fucking Rockwell! is about the coming end of America, Del Rey knows that America is already over

From political caricatures to self-contradictory statements by Donald Trump, this year’s edition of the biennial pays tribute to the potential of satire

At Mujin-to Production, Tokyo, the artist’s Clockwork Orange-like experiments confront us with the visceral traumas of war

With the 25th anniversary of the Rwandan Genocide against the Tutsi, an exhibition at Leipzig’s GfZK sheds light on the aftermath of the tragedy

An elegant exhibition of ceramics at Kettle’s Yard, Cambridge, UK, questions our expectation of functionality

The artist’s first institutional exhibition explores her unique system of references

The artist’s solo show of tapestries at Anna Schwartz Gallery in Melbourne are invocations of an erstwhile era 

In curator Susanne Pfeffer’s latest, ‘Museum’ speaks to our moment of funding scandals, museum protests and social media outrage

At Studio Voltaire, London, Mary Reid Kelley and Patrick Kelley take aim at #mefirst capitalism and the gospel of self-care

In the artist’s largest survey to date, science fiction and narratives of black resistance offer a vision of a more inclusive future

Artist Candice Lin connects the conditions of slave labour involved in building the drug trade’s infrastructure to the continued Orientalizing representations of the drugs themselves

Drawing from Martian landscapes and the notebooks of a closeted lesbian science fiction writer, the artist shows us how far we humans have yet to go

The artist’s survey at the Hessel Museum of Art at CCS Bard, Annandale-on-Hudson, links life on microscopic and cosmic scales with moments of spiritual self-searching and reflection

A Series on the Senses: Smell

At the Art Institute, an indigenous construction loophole uncovers ugly truths about the city’s racist and classist past 

In ‘Coventry’, events seem to happen to somebody else, to a person Cusk repeatedly exposes and judges

At Remai Modern, Saskatoon, the late carver and Kwakwaka’wakw Chief’s sculptures are an indictment of destructive consumerism 

A force in the late ’80s and ’90s, the photographer and critic receives her first solo show in over 22 years at Autograph, London