In ‘Bronzed from Silver’ at Sans Titre (2016), Paris, the artist’s hybrid metal works explores how the body serves as a tool for cultural identification
At Streams, Hong Kong, what was once the region's centre of toy manufacturing becomes a trippy tumble into a world of toxic teddies and sadistic Care Bears
From fish farms to factories, the artist duo’s first survey exhibition at Z33, Hasselt, looks at the different streams of production in the 21st century
At Kunsthall Charlottenborg, a group exhibition aims to draw connections between witch trials and colonialism but fails to grapple with their continuities
At Gallery 1957, London, the Ghanaian artist explores Stuart Hall's theory that cultural identity 'belongs as much to the future as it does to the past'
Informed by his Manchurian identity, the artist sets out by motorcycle for the Chinese Eastern Railway to explore the Northeast province's fading heritage
The exhibition dedicated to contemporary Russian art looks at how the country’s past two decades under President Vladimir Putin informed art production