The artist and poet speak to frieze about staging the domestic intimacies of the pandemic and post-pandemic worlds

The artists speaks to Steven Zultanski from the set of her new film in Tivoli, New York

At Kunsthall Charlottenborg, a group exhibition aims to draw connections between witch trials and colonialism but fails to grapple with their continuities 

A retrospective of the Japanese artist's work at Louisiana Museum, Humlebæk, sheds new light on his merging of the biological and the artificial

Steven Zultanski on the Chicago-based cult video artist

A remarkable new collection of writings by Madeline Gins makes a strong case for her work as an uncategorizable poet

In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

A survey at Denmark’s Louisiana Museum displays the Austrian artist’s expert linking of social concerns and surrealism

Steven Zultanski reviews five wide-ranging new collections that address immigration, love and the cruelties of the internet

New books by Ben Fama, Stephanie Young, Robert Fitterman, Miyó Vestrini and Ed Steck wonder about language, politics and love

The late artist Knud Viktor painted a sonic portrait of the non-human world

Newly published in the US, ‘Birthday’ sees the Argentinian writer at his most personal – and vulnerable

Cruel Fiction expresses hope for concrete social movements that imagine a different world than our own

Pointed in its politics and inspiringly imaginative, Empty Metal queries whether the end of the world might already have taken place

From credit scores to algorithmic policing, Jackie Wang’s Carceral Capitalism reveals technocracy as not merely analytical, but predictive