Review

In Berlin, a show of recent canvases by the master French anti-painter

At Display, Prague, the Brazilian artist questions the insidious mechanisms that govern women’s reproductive health

At Bombas Gens, Valencia, a retrospective of the terrestrial geographies of the overlooked painter

In a monographic exhibition at LACMA in Los Angeles, US, Eleanor Antin rediscovers the ‘other selves’ within her

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

A new exhibition at BolteLang, Zurich, is as markedly sombre as it is delightful

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding

An exhibition at Index, Stockholm, fuses activism, queer performance and pop music

At Goldsmiths CCA, the group’s darkly comic grotesqueries reflect an unsettling age  

More than 80 works from four decades mine the tension between beauty and horror

An epochal exhibition of the Ghanaian artist – the last curated by Okwui Enwezor – gives the Munich institution a new face

Two concurrent exhibitions in London use mark-making as a way to get at something beyond what we see

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

In Ralph Rugoff’s exhibition ‘May You Live in Interesting Times’, disorientation is the order of the day

Christine Wunnicke’s book, The Fox and Dr. Shimamura, is a narrative of Japanese modernity spoken through divine foxes and a psychiatrist’s misfortune

The late US painter’s first European survey, at Hamburger Bahnhof, Berlin, is a missed opportunity

At London’s Pushkin House, the Russian artist exhibits a lesson in ‘argot’ – the slang used by LGBT people in the Soviet Union

Family history, myth and geopolitics intertwine in the artist’s largest UK show to date

Two exhibitions, at MoMA and David Zwirner, reveal how the impresario and his milieu defied the rationalism of 20th-century art