Review

Showing results 401-420 of 2142

A retrospective of the late Iranian-American director at Berlin’s KW Institute for Contemporary Art shows society in ruin

BY Stanton Taylor |

At the Museum of Contemporary Art Detroit, the French collective’s attack on the autonomy of art feels as prescient as it did 50 years ago

BY Jacob Korczynski |

The influential documentary film festival celebrated its half century with a strong line-up of old and new talent from 58 countries

BY Neil Young |

A new work by Beth Collar, commissioned by Matt’s Gallery and CGP London, pulls apart female hysteria

BY Izabella Scott |

The show of the artist’s prints is the largest to be held in the UK in 45 years 

BY Samuel Reilly |

An exhibition at Matthew Marks Gallery, New York, examines Johns’s recent paintings and how the artist’s intentions remain steadfastly encrypted

BY Jack McGrath |

From viral slime to medieval botany, these artists are probing the margins of mainstream knowledge 

BY Mimi Chu |

A show at Max Mayer, Düsseldorf, uses typeface to pay tribute to women artists 

BY Carina Bukuts |

In a solo exhibition at kurimanzutto, Mexico City, the artist’s hanging sculptures are, like human beings, contingent, needy and ever-changing

BY Kit Schluter |

Concurrent exhibitions at mother’s tankstation in Dublin and London are the product of more than 40 years of patiently observing the surrounding world

BY Gemma Tipton |

At Moscow’s Garage Museum of Contemporary Art, the Karachi-born artist’s first solo exhibition in Russia sees Western modernisms turned against themselves

BY Figgy Guyver |

The artist depicts the archetypal women of the golden age of film – or reveals them through their absence

BY Moritz Scheper |

At Berlin’s Galerie Neu, a small triumph for nightlife anti-hero Daniel Pflumm, his first show at the gallery in 15 years

BY Pablo Larios |

Combining baroque design with folk tradition, the late artist’s work asks: is pattern not the motor of creation?

BY Greg Nissan |

From food delivery apps to public transport, the Berlin-based artists reflect on the changing face of urban life

BY Kito Nedo |

Linder’s ‘Full Service’ at MUDAM, Luxembourg, enacts a clever service economy between performer, viewer and museum

BY Fabian Schöneich |

In a solo show at the McCord Museum, Montreal, the Cree artist’s alter ego, Miss Chief Eagle Testickle, confronts the horrors of Canadian history

BY Georgia Phillips-Amos |

A tactile show in Berlin of the California-based painter refreshes colour-field abstraction for our digital age of infinite screen time

BY Louisa Elderton |

A retrospective at Kiran Nadar Museum of Art, New Delhi, showcases the forms and themes that underpin the artist’s singular career

BY Skye Arundhati Thomas |

The second iteration of this dynamic biennial is a mix of poignant reflection and feverish energy 

BY Sophie Knezic |
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