Review

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

At Daniel Marzona and Barbara Wien, Berlin, the artist highlights the communicative potential of everyday objects

At Gallery Hyundai, Seoul, the painter combines Korean folk, Chinese Buddhist and Western Renaissance iconography to complicate the idea of national cultural heritage

At Situations, New York, the photographer’s portraits of lovers and Elvis-obsessed Swiss youths share sartorial cues

At Galerie Kandlhofer, Vienna, the artist reflects on the politics that dictate which lives matter

For the inaugural exhibition at I.L.A. Gallery, the artist used the Japanese paper-making technique of washi to connect with rural histories

At Birmingham’s Eastside Projects, the artist’s latest curatorial project probes at what might happen when the digital bleeds into the physical

At James Cohan, New York, a suite of new paintings harken back to the chaotic pre-COVID streets

With works by 11 artists, ‘Study of Things’ at Guangdong Times Museum offers regional perspectives on rampant industries

The artist's exhibitions at galeria stereo pays tribute to Blecher's ferible dream diary The Lit-Up Burrow 

For her first UK exhibition at London’s Barbican, the artist builds a narrative of two lovers caught up in a matriarchal society

A touring retrospective at Kunsthalle Bremen and Gemeentemuseum Den Haag reveals the comic side of the artist’s work and its unique position in the history of German painting

At Zeno X Gallery, Antwerp, the artist takes a second look at the social and emotional aspects of images 

A public art exhibition by the artist whose life was claimed by the Grenfell Tower Fire is a salve for a wounded borough

At Bel Ami, the artist uses the sonic and sculptural qualities of casino games to invoke modernism’s long obsession with chance

An exhibition at Kunstverein Braunschweig explores the life of the first African philosopher in Germany and an overlooked chapter in the country’s history

A retrospective at Taxispalais Kunsthalle, Innsbruck, shows that the artist was bold both in her combinations of typefaces and in her political statements

The artist’s bracing performances demonstrate that institutions – and perception itself – can never be neutral

At Braunsfelder, Cologne, a series of painted rubber plants speaks to our need for calmness

The artist’s online project enacts a daily fantasy of revenge – or reparation – for the Western history of institutional racism and colonialism