Ruben Östlund

Ahead of the Oscars the director of the art world satire talks about making the real-life Square, the Swedish monarchy and male moral failure

The winner of this year's Palme d'Or is a fictionalized portrait of contemporary culture's new villain: the curator 

Still from The Square (2017). Courtesy: Alamode Films

Is the the curator cinema’s new bogeyman? Daniel Birnbaum and Joerg Heiser debate 

Celebrating its 70th anniversary, a preview of some of the highlights of this year’s festival which opens today