Tate Britain

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This year’s nominees are Lawrence Abu Hamdan, Helen Cammock, Oscar Murillo and Tai Shani

BY Frieze News Desk |

‘The Asset Strippers’, at Tate Britain’s Duveen Galleries, turns the museum’s elegant sculpture court into a salvage yard

BY Jane Ure-Smith |

The retrospective at Tate Britain of the veteran photographer is filled with masterpieces that are also crime scenes

BY Darran Anderson |

The artist used her acceptance speech to emphasize the importance of public funding for the arts

Leftist histories, state violence and the cracking open of time: can a ‘mere’ competition, and publicity exercise, also speak truth to power?

BY En Liang Khong |

Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson are this year’s nominees

Cryptocurrencies enter the British art market; Chris Ofili's Union Black flies again; 2017 Henri Cartier-Bresson Award announced

Frieze collaborates with Tate Britain, National Gallery, RCA, Sketch Gallery, Studio Wayne McGregor and ICA on the 2017 marketing campaign

Slippages and the peculiarities of language; its problems and potential

BY Nick Aikens |

Tate Britain, London, UK

BY Jonathan Griffin |

Human cameras, fortune tellers, unreliable memories – in Lindsay Seers’ work, the truth is not what it seems

BY Tom Morton |

Bohemianism, grass-roots activism, urban regeneration and the voices of the dead

BY Melissa Gronlund |

The home of John Latham, one of Britain’s most radical artists, has opened to the public two years after his death

BY Martin Herbert |

Tate Britain, London, UK

BY Brian Dillon |

Tate Britain, London, UK

BY Tom Morton |

Tate Britain, London, UK

BY Andrew Gellatly |

Tate Britain, London, UK

BY Sally O'Reilly |

Tate Britain, London, UK

BY Polly Staple |