Tate Britain

Showing results 21-36 of 36

The artist used her acceptance speech to emphasize the importance of public funding for the arts

Leftist histories, state violence and the cracking open of time: can a ‘mere’ competition, and publicity exercise, also speak truth to power?

BY En Liang Khong |

Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson are this year’s nominees

Cryptocurrencies enter the British art market; Chris Ofili's Union Black flies again; 2017 Henri Cartier-Bresson Award announced

Frieze collaborates with Tate Britain, National Gallery, RCA, Sketch Gallery, Studio Wayne McGregor and ICA on the 2017 marketing campaign

Slippages and the peculiarities of language; its problems and potential

BY Nick Aikens |

Tate Britain, London, UK

BY Jonathan Griffin |

Human cameras, fortune tellers, unreliable memories – in Lindsay Seers’ work, the truth is not what it seems

BY Tom Morton |

Bohemianism, grass-roots activism, urban regeneration and the voices of the dead

BY Melissa Gronlund |

The home of John Latham, one of Britain’s most radical artists, has opened to the public two years after his death

BY Martin Herbert |

Tate Britain, London, UK

BY Brian Dillon |

Tate Britain, London, UK

BY Tom Morton |

Tate Britain, London, UK

BY Andrew Gellatly |

Tate Britain, London, UK

BY Sally O'Reilly |

Tate Britain, London, UK

BY Polly Staple |