An exhibition at Centre d’Art Contemporain, Geneva, explores writing’s role in embodiment and spiritual grounding

By Harry Burke

‘He created rhythmic patterns that sounded, in your mind or on his voice, both adamantine and feline at once’

By Cal Revely-Calder
Ted Nelson T Shirt, Courtesy: Claire Evans

‘Nelson is wilful and demanding, forever frustrated by the gap between expression and vision, as are all great artists’

By Claire L. Evans
Iowa, 1966. Courtesy: Ngug1i wa Thiong’o

How monolingualism is the carbon monoxide of culture

By Ngugi wa Thiong’o

Found first in the pages of NME, an homage to the critic who brought an antic traduction of high French theory to the study of contemporary pop

By Brian Dillon

What's so great about authenticity?

By Olivia Laing
Umberto Eco in Paris, September 1985, photographed by Hélène Bamberger

Remembering Umberto Eco (1932–2016)

By Gianfranco Marrone
Wan-Nian Qiao Bridge, Suzhou, 1750–1800. Courtesy Victoria and Albert Museum, London, and Scala, Florence

Man Booker Prize winner László Krasznahorkai goes to China in search of sorrow and destruction in his latest book

By Michael Barron
Henry Fuseli, The Nightmare, 1781. Courtesy: © 2013 Detroit Institute of Arts / The Bridgeman Art Library

Literature versus art history

By Quinn Latimer
Jesse Ball, 2011 photograph: © Daniel Shea (all illustrations © Jesse Ball)

Jesse Ball is an author, poet, artist and lucid dreaming instructor based in Chicago.

By Ross Simonini
Fiona Banner

Why a growing number of artists are turning away from image-making to writing and performance

By Dieter Roelstraete
Getty Center garden, designed by Robert Irwin (2006)

A new, expanded edition of Lawrence Weschler’s classic, Seeing is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin is a cause for celebration

By Eugenia Bell