The past, the present, the possible

From the ‘horizontal’ methodology of the 35th São Paulo Biennial to Suki Seokyeong Kang’s immersive landscapes in Seoul

The artist speaks about how poetry and song can bridge social movements, connecting people in the face of adversity

The curator and foundation director discusses showing art outside city centres and why she banned the word ‘offsite’ in her office

Can Reiner Holzemer’s documentary finally lift the lid on the famously private designer? 

A report from this year’s MeetDocs Eastern Ukrainian Film Festival in Kharkiv

A frieze commissioned film: Artist Duggie Fields leads a tour of the home and studio in London’s Earls Court that he’s lived in for more than 50 years (and once shared with the musician and co-founder of Pink Floyd, Syd Barrett)

This year’s biennial amplifies previously silenced voices, but the results are discordant

A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing

‘Metaphorically, wearing an eye mask bids farewell to this desire to know, instead, one must rely on something unknown’

‘The idea of wearing them while painting is a really great image’