Phil Collins: The Disconcerting Eye

Liz Kim on how the social and artistic movement of the 1980s inspired a new generation of Korean artists

With the spotlight at the Venice Biennale falling all-too-often on the 30 national pavilions in the Giardini, writer Jennifer Higgie asks whether this 19th-century format still makes sense

On the tenth anniversary of Kelley’s death, Dan Fox rereads the artist’s writing and criticism

In a cross-continent phone conversation, one author traces the narrative artist’s evolution through her books

A frieze commissioned film: Artist Duggie Fields leads a tour of the home and studio in London’s Earls Court that he’s lived in for more than 50 years (and once shared with the musician and co-founder of Pink Floyd, Syd Barrett)

‘Metaphorically, wearing an eye mask bids farewell to this desire to know, instead, one must rely on something unknown’

‘The idea of wearing them while painting is a really great image’

The Polish artist discusses the spirit behind Eileen Agar’s Cleopatra which sits atop a pile of National Geographic magazines in her studio

‘Maybe speaking about it will free me, and maybe this means I can get rid of it’

The first pin I got was ‘Keep the Faith Baby’ – those words were probably the first I read on my own, long before I understood them