EU Reviews

Showing results 181-200 of 334

Through clever exhibition design and a mix of historical and contemporary positions, ‘The Endless Frontier’, offers a telescopic view onto complex issues

BY Yana Foqué |

For the inaugural exhibition at Hauser & Wirths island outpost, the artist has created a new series of paintings and sculptures that span from the European discovery of the New World to racialized urban zoning 

BY Max Andrews |

At Villa Carmignac, Pourquerolles, the pioneering underwater photographer Jean Painlevé acts as a guiding spirit for a group exhibition that depicts the beguiling strangeness of aquatic life

BY Amy Sherlock |

From Yael Bartana's expansive solo exhibition at the Jewish Museum Berlin to a group exhibition that depicts the oddities of aquatic life, here are our must see shows in the Schengen

BY frieze |

At Casa Masaccio, San Giovanni, the artist's solo show, 'While We Were Sleeping' leans on religious allegories to depict the nihilist nature of modern anxieties

BY Olamiju Fajemisin |

Stemming from a new investigation into the fatalities of the Irish revolution in County Cork, 'For Those That Tell No Tales' at Crawford Art Gallery reminds us why memory is important

BY Nigel Swann |

At the Jewish Museum Berlin, the Israeli-born artist’s newly commissioned, three-channel video and sound installation continues her career-long investigation into the visual language of messianic desire

BY Boaz Levin |

From Lydia Ourahmane lockdown-inspired exhibition at Triangle – Astérides to Marcin Dudek's deconstruction of his football firm past at Harlan Levey Projects, here's what not to miss 

BY frieze |

The director’s latest film questions the reality of social media tropes and the boundaries between ‘genuine’ and ‘performed’ in a world of online influencers

 

BY Leila Sackur |

At Harlan Levey Projects, the artist draws on his own experience as a working-class football fan during Poland’s 1990s passage from communism to capitalism

BY Wilson Tarbox |

At Kunsthalle Basel, the artist seeks a connection between the tools of the Detroit assembly lines and a pan-African heritage 

BY Mark Godfrey |

For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people

BY Oriane Durand |

At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices

BY Eric Otieno Sumba |

At Botkyrka Konsthall, the Afro-Swedish artist presents new works that combine ethnobotanical research and (self-)care to make innovative use of the Black historical archive

BY Matthew Rana |

From Kayode Ojo's synthetic opulence at Sweetwater, Berlin, to Jef Geys’s playful iconoclasm at Kunsthalle Bern

BY frieze |

At LAYR, Vienna, the Bahamian artist’s hazy horse paintings focus on interspecies relationships within a personal and historical context

BY Francesca Gavin |

A survey of the artist's work at Kunsthalle Bern celebrates Geys's desire to challenge the status quo and bring art to masses

BY Kito Nedo |

‘How Will We Live Together’ – curated by Hashim Sarkis – dreams of a brighter future but fails adequately to respond to the present

BY Barbara Casavecchia |

At Sweetwater, Berlin, the artist plays on passé 1980's glamour, sculpturally employing transparent and mirrored surfaces to attract and deflect the gaze

BY Chloe Stead |

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

BY Ana Vukadin |