EU Reviews

A touring retrospective at Kunsthalle Bremen and Gemeentemuseum Den Haag reveals the comic side of the artist’s work and its unique position in the history of German painting

At Zeno X Gallery, Antwerp, the artist takes a second look at the social and emotional aspects of images 

An exhibition at Kunstverein Braunschweig explores the life of the first African philosopher in Germany and an overlooked chapter in the country’s history

A retrospective at Taxispalais Kunsthalle, Innsbruck, shows that the artist was bold both in her combinations of typefaces and in her political statements

At Braunsfelder, Cologne, a series of painted rubber plants speaks to our need for calmness

The artist’s exhibition at Galerie Imane Farès, Paris, shows the multiple faces of resistance

The Turner prize winner's exhibition at Grazer Kunstverein shows how fate can always be challenged

The artist’s new works at La Virreina, Barcelona, predict that the culture industry will never be automated

At Capitain Petzel, Berlin, the artist pays homage to writers such as Jane Austen and James Joyce

The artist’s current exhibition at Weiss Berlin is a nuanced critique of the notion of Black masculinity

A retrospective of the Japanese artist's work at Louisiana Museum, Humlebæk, sheds new light on his merging of the biological and the artificial

The artist’s exhibition at Mies van der Rohe’s Haus Esters in Krefeld explores architecture’s aim for social reform

The artist’s installation at Barbara Wien, Berlin, leaves things pleasingly open to interpretation

In the time of COVID-19, the artist's pulmonary pangs at ChertLüdde, Berlin, feel uncomfortably prescient

At Accelerator, Stockholm, Johanna Gustafsson Fürst reflects on the systematic repression of indigenous languages in her home country

In the face of creeping far-right thinking, an exhibition in Munich underscores the role contemporary art can play in ensuring historic atrocities are never forgotten

The artist’s new immersive installation at Centre Pompidou explores ecstatic states as a means of reconnecting with human empathy

The artist’s exhibition at Centre d’art contemporain Passerelle, Brest, blends gender, race and class politics with science fiction

Through her spatial interventions at Établissement d’en face, Brussels, the artist reflects on the layering between art and politics 

An exhibition at Jan Kaps, Cologne, stresses the trauma of economic transformations in formerly socialist countries