More than 110 of the world’s leading galleries will participate in the fair, with sections for emerging talent and historical art, the Frieze Artist Award commission, Frieze Film, talks and a Frieze Week festival of culture
At Museo Jumex, Mexico City, a survey of the past two decades of Mexican contemporary art struggles to unite a broad range of artworks within a cohesive structure
For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people
In Aindrea Emelife’s group show at The Perimeter, the work of seven Black artists explore experiences of recollection and nostalgia to examine the relationship between Blackness and history
At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations
At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms
At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices
At Botkyrka Konsthall, the Afro-Swedish artist presents new works that combine ethnobotanical research and (self-)care to make innovative use of the Black historical archive
The exhibition at Tate Liverpool takes women’s liberation as its basis, leaning on frustratingly narrow definitions to justify connections between Linder and Martine Syms
At the Institute of Contemporary Art at Virginia Commonwealth University, the artist presents a site-responsive project that looks at the fraught history of post-slavery labour practices across the Virginia countryside
Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own
From Nina Katchadourian's first survey at Pace Gallery to Gabrielle L'Hirondelle Hill's probings of the Indigenous economics of tobacco at the Museum of Modern Art, these are the must-see shows in New York
For the artist’s first US institutional solo show, at the Museum of Modern Art, Hill presents a series of works that probes the Indigenous economic life of tobacco
At Pace Gallery, New York, a small survey of the artist’s oeuvre presents new and existing works which re-analyse both mass media iconography and her own family history
