Features

The artist's augmented-reality works are freeing public sculpture from the ‘ideology of control’

The Canadian painter’s new work offers a ‘vivid experience of perception without vivid percepts’

Ex voto-like works by Jesse Darling, Julia Philips, Diamond Stingily and the late Donald Rodney imagine a world ordered differently 

In three stories, the German filmmaker and writer bears witness to the tentativeness of history

With a retrospective at Munich’s Museum Brandhorst, McKenzie gleans political ideologies from the polishes and veneers of our world

The author of Glitch Feminism on correcting the cyberfeminist canon, the Black trauma at the root of memes and why online space is still ‘real’

From enfant terrible of British ballet to a retrospective at the Barbican Gallery, how the choreographer and performer found a home in the contemporary art world 

Negar Azimi on Adnan’s sensuous intellect

The American poet – whose ‘Memory’ is now out from Siglio Press – on the poetics of synesthesia

In the work of Cooking Sections, Goldin+Senneby and Sean Raspet and Shengping Zheng the line between synthetic and organic is not always what is seems

 An exclusive excerpt from her forthcoming book

Renowned poet Joan Retallack reads Adnan’s poetry

Omar Berrada on the artist’s polymathic imagination

For Adnan, art and politics need not be in conflict

‘Technological advancement does not assuage our fears’

Warburg has been credited with both inventing and destroying art history

Short fiction inspired by Aby Warburg’s ‘Panel B’

Is this art? Science? Who cares?

‘There is pain and suffering in these pictures, but also pure possibility’

‘This is how you walk through water’