Film

Showing results 61-80 of 109

Ahead of his 13th feature film, Saint Narcisse, the cult film director speaks with Michael Bullock about the importance of self-love and self-exposure 

BY Michael Bullock AND Bruce LaBruce |

A.S. Hamrah on the portrayal of ‘red America’ in Hillbilly Elegy, Rebuilding Paradise and Nomadland

BY A.S. Hamrah |

Skaka King's film on the life and assassination of Black Panther leader Fred Hampton exceptionally examines the ever-present interplay between race and capital

BY Ian Bourland |

A Sundance highlight, the director’s debut is a nuanced exploration of lives either side of the ‘colour line’

BY Leila Latif |

The artist’s first feature film depicts a mother-daughter pair of grifters trying to stay afloat through financial recession 

BY Travis Diehl |

Despite a brilliant performance by Carey Mulligan, the post-#MeToo thriller is an anti-climax 

BY Philippa Snow |

As the iconic reality series airs its 20th and final season, and amongst rumours of ‘Kimye’s’ divorce, Alissa Bennett explores how the Kardashians changed American culture – and themselves

BY Alissa Bennett |

The films and books that kept us afloat in a calamitous year

BY Anthony Hawley |

The new documentary is packed with original footage and voice recordings from the late artist

BY Cassie Packard |

Shiv Kotecha on the long career of playback singer Asha Bhosle 

BY Shiv Kotecha |

Luca Guadagnino’s new HBO series treats identity like an Instagram filter

BY Evan Moffitt |

An exhibition in Edinburgh honouring Ray Harryhausen gives film historians the chance to see Medusa, the Kraken, dinosaurs and giant sea creatures

BY Dan Fox |

Tourmaline’s films speak a simple truth: Black, queer and trans people were always here and always will be

BY Muna Mire |

Shot in Cambridge, the artist’s latest film interlaces histories of laziness, from Johnny Mercer to Audre Lorde

BY Rianna Jade Parker |

At PDX Contemporary Art, Portland, the artist presents contrasting works on paper that recall Sergei Eisenstein’s theory of montage

BY Bean Gilsdorf |

During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practice 

BY John Akomfrah AND The Otolith Group |

Primer (2004) asks what happens when history is always hanging in the balance

BY Lucy Ives |

Coel's show ‘I May Destroy You’ daringly takes on the intricacies of sexual violence

BY Skye Arundhati Thomas |

The weightlessness of the iconic film helps alleviate the oppressive pull of reality

BY Chloe Aridjis |

Ahead of his new work, filmed on a boat in Venice, an interview with the Italian auteur

BY Barbara Casavecchia |