Interviews

Taryn Simon speaks about her new project, a collaboration with a nuclear facility in Russia

Q. What do you like the look of? A. I like the look of you. You're looking pretty good.

Q. What should stay the same? A. I don’t understand the question.

Frieze Projects curator, Cecilia Alemani, reveals her unrealized (and occasionally unrealizable) projects

Jacolby Satterwhite talks to Evan Moffitt about animation, sex and choreography

Judith Clark talks to Diane Simpson about the influence of abstraction, architecture and fashion on her sculptures

Matt Mullican talks about his 40-year career in relation to his recent project, The Meaning of Things

The artist Julia Scher talks about her series of 'Surveillance Beds'

Q. If you could live with only one piece of art what would it be? A. Las Meninas (1656), my first art-love. 

Q. What should change? A. My hairstyle.

Artist Peter Wächtler talked to Walter Swennen about the pitfalls of poetry and painting as an impure practice

Q. What should change? A. Religious obsessions.

On the occasion of ‘I ♥ John Giorno’ in Paris, an interview with John Giorno about poetry, art and radicalism

Q: What should stay the same? A: The sky in New Mexico, which is why we live there.

On the occasion of the large-scale exhibition Painting 2.0: Expression in the Information Age at the Museum Brandhorst, Munich, the co-curator of the exhibition, David Joselit, speaks with art historian Susanne von Falkenhausen about painting after 1960 – from spectacle to social networks

Pauline Boudry and Renate Lorenz in conversation with Laura Guy about opacity, manifestos and ‘temporal drag’

Nicolas Party and Jesse Wine meet to discuss forms, frames and learning from Giorgio Morandi

An interview with Claes Oldenburg

Q: What should change? A: Poverty in the world. Injustice.

The General Director of Rijksmuseum on the art that inspires him and why he would have loved to have listened to jazz with Piet Mondrian