More than 110 of the world’s leading galleries will participate in the fair, with sections for emerging talent and historical art, the Frieze Artist Award commission, Frieze Film, talks and a Frieze Week festival of culture
Meret Oppenheim would have celebrated her 100th birthday in October this year. The centenary has prompted a major retrospective in Vienna which will travel to Berlin, and this conversation between former curator of Kunsthaus Zurich Bice Curiger and her successor Cathérine Hug
In this series, frieze d/e asks artists to discuss their affinities to another person’s work. Here, Sibylle Berg shares her enthusiasm for the Finnish video artist Heta Multanen
On the occasion of his retrospective in Karlsruhe, Werner Büttner talks to Jan Verwoert and Jörg Heiser about polemics and punchlines in more than three decades of work
From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany
Artist Matthieu Laurette, critic Vivian Sky Rehberg and the prolific curator, collector and dealer Seth Siegelaub, who died in 2013 aged 71, discuss the legacy of Conceptual art, the origins of curating and how art history is made
Q. What should change? A. Deregulated global financial systems, obviously. Nothing else would have quite the same impact on the prospects of so many people.
In 1977 a groundbreaking survey exhibition of female artists, Künstlerinnen International 1877–1977, opened at Berlin’s Schloss Charlottenburg. The show was quickly met with a hostile reception before being just as quickly forgotten – even in the annals of feminist art history.
In 2012, artist and musician Michaela Melián made a video installation featuring a conversation with artist Sarah Schumann and writer Silvia Bovenschen, who were instrumental in realizing the exhibition. Here, frieze d/e publishes an edited transcript of their conversation.
Accompanying it are interviews with Melián herself and with three members of the feminist group ff: artists Mathilde ter Heijne, Antje Majewski and Juliane Solmsdorf. Looking back today, how important was that show? Over the past four decades, what has changed in the relationship between feminism and art?
