Opinion

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With the tactics of dissenting groups ever-growing, Natalie Nzeyimana and Derica Shields share their insights on the Police & Crime Bill and why, in an increasingly authoritarian climate, people are still willing to risk protest

BY Natalie Nzeyimana AND Derica Shields |

Peter Brock explores what blockchain technology could mean for power relations within the art world

BY Peter Brock |

In his new film, White Cube, the artist – again – perpetuates the very form of exploitation he is criticizing

BY Eric Otieno Sumba |

The public art installation in Hudson River Park will pay tribute to Matta-Clark’s iconic Day’s End and the commerce, crime, leisure and lovemaking of Manhattan's waterfront past 

BY Tavia Nyong’o |

The museum's recent acquisitions and display overhaul is a move away from the institution’s elitist past and a celebration of Brazil's rich diversity

BY Fernanda Brenner |

As her retrospective ends at Denver Art Museum, the Colorado-based artist reflects on ‘tender-type beginnings to sagging ends’ of ageing sculpture and bodies

BY Olamiju Fajemisin |

Charlie Gere on growing up in London’s back-to-nature counterculture of the 1960s

BY Charlie Gere |

Jennifer Higgie on how the mirror’s mass production changed the course of art history – and liberated women artists

BY Jennifer Higgie |

Cultural censorship helps reinforce Communist Party narratives within China’s borders, but can easily backfire  

BY Rebecca Davis AND Josh Freedman |

Musician Sumeet Samos on how Dalit music has helped mobilize against caste violence and institutional discrimination

BY Sumeet Samos |

The artist speaks with Olamiju Fajemisin on the legacy of Rock Against Racism in the UK

BY Olamiju Fajemisin |

How contemporary Native artists are evading recognition and visibility for a more 'speculative indigenous futurism'

BY Ian Bourland |

Frieze editors discuss the different trends in digital exhibition-making, from end-of-world scenarios to community-based initiatives

50 years ago, a manifesto by Seth Siegelaub reimagined what economic justice could look like in the arts

BY Lauren van Haaften-Schick |

Curtis’s new BBC series, Can’t Get You Out of My Head, depicts the repetitive bleakness of individualism, but how can we collectively envision an alternative?

BY Amar Ediriwira |

Lee Daniels’s new offering is rife with the formulaic trappings of a Hollywood-sanctioned Black biopic, but what surpasses is the message in the music

BY Harmony Holiday |

Legendary London arts venue, The Horse Hospital, nurtures a vital web of creative expression and disruptive ideas 

BY Kat Hudson |

From re-interpreting protest symbols to selling work to support striking civil servants, how artists are responding to the military coup

BY Nathalie Johnston |

Skaka King's film on the life and assassination of Black Panther leader Fred Hampton exceptionally examines the ever-present interplay between race and capital

BY Ian Bourland |

A country which was once the epicentre of COVID-19 has seen its art scene flourish thanks to the museumscommunity-driven response to the crisis

BY Barbara Casavecchia |
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